Your fav characters crying in fan art.
Your fav characters crying in canon.
I just decided that when they’re old enough, I’m starting my boys on Episode IV and not even telling them about 1-3. I’ve even got an old VHS copy, so they’ll see Han shoot first and Vader will silently make the ultimate sacrifice.
They are old enough. My daddy started me at 3 years old and raised me up a nerd, as was good and proper.
Okay, okay, I’m going to tell you what Hermione sees in Ron.
A trio is a balancing act, right? They’re equalizers of each other. Harry’s like the action, Hermione’s the brains, Ron’s the heart. Hermione has been assassinated in these movies, and I mean that genuinely—by giving her every single positive character trait that Ron has, they have assassinated her character in the movies. She’s been harmed by being made to be less human, because everything good Ron has, she’s been given.
So, for instance: “If you want to kill Harry, you’re going to have to kill me too”—RON, leg is broken, he’s in pain, gets up and stands in front of Harry and says this. Who gets that line in the movie? Hermione.
“Fear of a name increases the fear of the thing itself.” Hermione doesn’t say Voldemort’s name until well into the books—that’s Dumbledore’s line. When does Hermione say it in the movies? Beginning of Movie 2.
When the Devil’s Snare is curling itself around everybody, Hermione panics, and Ron is the one who keeps his head and says “Are you a witch or not?” In the movie, everybody else panics and Hermione keeps her head and does the biggest, brightest flare of sunlight spell there ever was.
So, Hermione—all her flaws were shaved away in the films. And that sounds like you’re making a kick-ass, amazing character, and what you’re doing is dehumanizing her. And it pisses me off. It really does.
In the books, they balance each other out, because where Hermione gets frazzled and maybe her rationality overtakes some of her instinct, Ron has that to back it up; Ron has a kind of emotional grounding that can keep Hermione’s hyper-rationalness in check. Sometimes Hermione’s super-logical nature grates Harry and bothers him, and isn’t the thing he needs even if it’s the right thing, like when she says “You have a saving people thing.” That is the thing that Harry needed to hear, she’s a hundred percent right, but the way she does it is wrong. That’s the classic “she’s super logical, she’s super brilliant, but she doesn’t know how to handle people emotionally,” at least Harry.
So in the books they are this balanced group, and in the movies, in the movies—hell, not even Harry is good enough for Hermione in the movies. No one’s good enough for Hermione in the movies—God isn’t good enough for Hermione in the movies! Hermione is everybody’s everything in the movies.
Harry’s idea to jump on the dragon in the books, who gets it in the movies? Hermione, who hates to fly. Hermione, who overcomes her withering fear of flying to take over Harry’s big idea to get out of the—like, why does Hermione get all these moments?
[John: Because we need to market the movie to girls.]
I think girls like the books, period. And like the Hermione in the books, and like the Hermione in the books just fine before Hollywood made her idealized and perfect. And if they would have trusted that, they would have been just fine.
Would the movies have been bad if she was as awesome as she was in the books, and as human as she was in the books? Would the movies get worse?
She IS a strong girl character. This is the thing that pisses me off. They are equating “strong” with superhuman. To me, the Hermione in the book is twelve times stronger than the completely unreachable ideal of Hermione in the movies. Give me the Hermione in the book who’s human and has flaws any single day of the week.
Here’s a classic example: When Snape in the first book yells at Hermione for being an insufferable know-it-all, do you want to know what Ron says in the book? “Well, you’re asking the questions, and she has to answer. Why ask if you don’t want to be told?” What does he say in the movie? “He’s got a point, you know.” Ron? Would never do that. Would NEVER do that, even before he liked Hermione. Ron would never do that.Melissa Anelli THROWS IT DOWN about the way Ron and Hermione have been adapted in the movies on the latest episode of PotterCast. Listen here. This glorious rant starts at about 49:00. (via karakamos)
i swear to god if i see another person saying ‘if you think obesity is bad, you’re a fat shamer!!’
obesity is a real problem that causes lots of diseases
and just because i don’t like obesity, doesn’t mean i don’t like obese people
it’s like, i hate cancer, but i don’t hate people with cancer or shame people who have cancer
how did the telephone propose to his girlfriend?
he gave her a ring
i tried to scroll past….but the gif
My sister asked if the events of “The Labyrinth” are meant to be Sarah dreaming, or are they real? Although my primary reaction was that she shouldn’t put that much thought into any children’s movie (or any instance of David Bowie in tight pants), I’d like to take this opportunity to put so much thought into this children’s movie, that it’ll blow your mind.
So why is David Bowie kidnapping a child from an underage Jennifer Connelley?
In a time long long ago a sorcerer named Jareth fell in love with a girl named Sarah. Sarah’s father and step-mother would not let her marry Jareth because they wanted her to keep her, as a servant, to care for their other child. In a fit of rage Jareth kidnapped this other child and spirited it away to the fairy world. In this new world Jareth built a palace for his Sarah. He turned the spoiled child into a goblin, and kept it to be a servant.
Many stories of the fairy world tell us that time moves differently there than in our world (Rip Van Winkle for one). In the time it took for Jareth to build his kingdom, which he may have thought was little more than a few years, Sarah grew old and died.
Overcome by grief and addled by a lifetime spent in a strange world filled with monsters, Jareth goes mad. He refuses to believe that he has lost his love. He searches the mortal world from his castle, looking for her.
Sarah is Hebrew name. So, it is common, and has been in use for thousands and thousands of years. It does not take long (for him) to find a dark haired girl named Sarah, who has a younger sibling, and who feels that she is treated unfairly by her step mother. In a fit of rage he kidnaps this other child and spirits it away to the fairy world. Perhaps this new Sarah dies in the quest to find the child, perhaps she wins her sibling back and flees.
Jareth searches the mortal world from his from his castle, looking for her. It does not take long to find a dark haired girl named Sarah…
This is how Jareth becomes the goblin king. Every goblin in the goblin city is a child Jareth has stolen, who was not recovered by a Sarah. (he told the current Sarah that Toby would become a goblin if she did not find him in time)
This is why he builds the maze. The magic bog, the junk yard of useless treasures, all tricks to slow Sarah down. Because if he can only have his Sarah for the time it takes for her to regain the stolen child, he will make it take as long as possible, keep her as long as possible.
This is why there exists in our world a book containing the story. Because it has happened before. So many times. At some point some lucky Sarah must have returned to our world to tell the story.
This is why when the most recent Sarah first meets Hoggle at the start of the labyrinth, and introduces herself; “I’m Sarah”, Hoggle responds “That’s what I figured.”
Because of course she’s Sarah.
They were all Sarah.
dress each day like you’re going to be transported to the digital world in those clothes.